
I had been looking forward to seeing the film since I first discovered the trailer a few months ago. Overall I thought the film was funny and I commend his attempt. It is Chris Rock. His antics have long tickled me and the conversation of black hair has intrigued me for nearly a decade. In fact, my undergraduate thesis project attempted to tackle the topic.
An author for theybf, today’s top source for all black celebrity gossip, insinuated that the film showcases only “ghetto” hair salons and stylists—a term which has become the proverbial descriptor for all things unsavory and by extension black. Can we please retire that misused “adjective,” right along with n-word and bitch? Teresa Wiltz of The Root offered an insightful critique of the documentary, noting the film’s misogynistic undertones—its depiction of black women as overly-superficial, illustrating the lengths some go to in order to have “good hair”; $1,000 hair extensions, and thousands of dollars a year dedicated to hair maintenance. This comes as no surprise, I do remember feeling unsettled as a woman viewing Rock’s comedy specials, such as Bigger and Blacker and Never Scared.
Furthermore, I was perplexed by the lack of consideration given to particular components of the issue, considering its complex origin, consistent presence, and varied modalities. When interviewing black men, Rock never questions their hair preference. Did these men prefer natural hair or relaxed hair on black women? Did they like both? What did these men find attractive? Was this omittance due in part to Rock’s assumption that black men “naturally” prefer women with relaxed, straightened hair? As the film’s creator and writer, it is quite telling that he does not address the matter. I firmly believe that the majority of black men prefer straightened, relaxed hair (although that is changing).
Rock also did not address the negative depiction of women who choose not to relax their hair. As Wiltz noted, of the female celebrities Rock interviewed, Tracie Thoms was the only one who wore her hair visibly non-relaxed or straightened. Perhaps he believes there is truth to the idea that black women with natural hair are unattractive, militant, masculine, and unsophisticated. When he made his rounds promoting the film, he described Oprah Winfrey as a slave when seeing her childhood picture before her first relaxer. He also stated that she was delivering the “mean” news when seeing footage of Oprah with an afro. (Clip 2)
These comments although made in jest are surely not those expected of one who desires to earnestly examine the complexities of black hair with sincerity and “compassion” to borrow Wiltz’s term. Even though these comments were made in an offhanded manner, the political implications of black women’s coiffure are very much contemporary and relevant; let us not forget the New Yorker’s depiction of Michelle Obama as a gun-toting extremist wearing an afro.
Unfortunately, in 2009 black women who wear their hair naturally are viewed as aggressive and unattractive by society as a whole and by a large amount of African-Americans, men and women alike. Chris Rock appears to follow suit.
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View a previous post on the film here.
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